Luke Maxted

Thesis Title: Negative Constructions in the Long Nineteenth Century

Supervisor: Prof. Seamus Perry

Doctoral Research: 

My thesis begins by establishing that, when pre-nineteenth-century writers used negative constructions, particularly compounds containing prefixes ('un-', 'in-', 'dis-') and suffixes ('-less'), they did so denotatively. Even the lofty or the somber utterance in a poem by Wyatt, or by Dryden, tends to appeal to the finite. Indeed, such poets as Sidney and Donne balanced negative expressions with images of procreation: 'great with child to speak and helpless in my throes' (Astrophil and Stella I); 'I am re-begot / Of absence, darkness, death: things which are not' (Nocturnal upon St. Lucy's Day). Not so, in the negative constructions of Romantic literature. Since the expressive theories of aesthetics, that spread to England from Germany in the late-eighteenth-century, Anglophone writers have used negation to compose secular epiphany.

From there, my thesis argues that Romantic writers re-tuned the negatives of their predecessors to create the melodies of abstraction to which art remains enthralled. Through studies of early-nineteenth-century recadencings of Milton's classical and pious negations, of Hardy's annotations of his copies of Shakespeare, Webster and Vaughan, of the post-imperial melancholy of Larkin's negations after The North Ship, and of the influence of Byron's anti-Romantic revolt on the reactionary poetics of T.E. Hulme and Yvor Winters, my thesis offers a genealogy of negative construction. It approaches other generic and formal concerns, too, such as the development of the lyric paragraph, and it shows how negative epiphany infiltrated writing about Romanticism, by considering its presence in the canon of twentieth-century criticism.

Publications:  

1. ‘Despair Disassociated’, The Nabokovian, No. 74, Spring/Fall 2015, pp. 19-35.
2. ‘Life, Literature, and the Academy in Philip Roth and Vladimir Nabokov’, Philip Roth Studies, Vol. 14, No. 2, 2018. Winner of the Siegel McDaniel Award.
3. ‘Thomas Hardy's ‘In St. Paul's A While Ago’: A Source for Philip Larkin's ‘At Grass’’, Notes and Queries, Vol. 69, Issue 3, September 2022, pp. 259–263.
4. “Despite Divergence: Thomas Hardy’s The Temporary the All’, The Thomas Hardy Journal, Vol. 38, Autumn 2022, pp. 148-162.
5. ‘Thomas Hardy’s Markings in his Copy of Henry Vaughan’s ‘Sacred Poems and Pious Ejaculations’, and their Significance to ‘The Darkling Thrush’’. Notes and Queries, Vol. 69, issue 4, December 2022.

I have published literary journalism, including 'Ode to Detail' (Times Literary Supplement, Jan. 2016), 'An Omniscient Notepad' (Times Literary Supplement, Apr. 2016) and other book reviews, on writers such as Jose Eduardo Agualusa, Paul Kingsnorth and Ian Buruma, for Prospect and Literary Review. I hold the 2022/23 Byron Society PhD Scholarship, toward which I'll deliver a lecture about the prefixes 'un-', 'in-' and 'dis-' in Byron's satires.

Teaching:

At Oxford, I have attended the PLTO and supervised the undergraduate dissertation. I invite further teaching. I hold a First (with two undergraduate awards) and an M.St. (1900-Present), both Oxon, as well as a PGCE at Distinction. I have seven years teaching experience in independent secondary schools in West London and since 2018 I have delivered weekly adult education seminars on Literature and on World Cinema, including 12-week courses on John Milton, George Eliot, Leo Tolstoy and James Joyce.